Constable’s oil sketches: atmosphere and light

I am researching Constable as I am intensley interested in his ability to capture meteorological events. I came across this excellent blog which concentrates on atmospher and light, the most important elements within my own work.

That's How The Light Gets In

John Constable perhaps suffers from over-familiarity: countless reproductions, from postcards to biscuit tins, of The Hay Wain or Dedham Vale. Those large, highly polished oil paintings were produced for the ‘finished’ picture market of patrons and Royal Academy exhibitions and, to our modern eyes that prefer suggestion to representation, they can appear just a shade too formal and conservative.

But Constable was far from being a traditionalist, quietly rebelling in his work methods against a culture that preferred landscapes to be oil paintings executed in the studio, rather than impressions from nature captured in the open air.  In London a fortnight ago, we had a look at the exhibition of Constable’s oil sketches at the V&A,  The Art of Seeing Nature. The rooms in which they are displayed shimmer with their freshness and vitality, revealing how Constable captured ‘one brief moment caught from fleeting time’ in his free and vigorous brushwork.


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About Annemarie Tickle

I am a Lecturer in Textiles at Hull School of Art and Design. As a visual artist I am interested in atmospheric conditions and events and how the scale of nature makes mans mark on the landscape look insignificant. I enjoy the act of doing and getting my hands dirty so my practice is intensly process led. I use a wide range of media but am particular interested in dying techniques.
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1 Response to Constable’s oil sketches: atmosphere and light

  1. Pingback: Britain: exhibition of John Constable paintings in London | Dear Kitty. Some blog

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