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- Abstract art
- Acrylic paint
- Action Painting
- David Blackburn
- Digital drawing
- Dyes and Pigments
- Dyestuffs and Chemicals
- East Riding of Yorkshire
- en plein air
- fine art
- Kingston upon Hull
- pastel drawing
- Power station
- River Humber
- Spurn Point
- Stain painting
- Techniques and Styles
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Tag Archives: Experiment
My research has led to an interest in the Claude mirror. ‘A pre-photographic, landscape-viewing device, used by romantic artists and connected with the Picturesque Movement. The artists stood with their back to the scene looking at it through the small black convex mirror. … Continue reading
The area allocated for the MA cohort to exhibit is the entrance foyer of Hull School of Art and Design and there will be eight graduates showing in this space. As it is a working environment it is rather different to … Continue reading
There has been a meeting with the MA group to discuss the final exhibition. Now the space (the foyer of the Art School) has been organised and areas agreed. I have a good space I am happy with, it has … Continue reading
As the end of the academic year workload eases I eventually have a bit more time to immerse myself in the final section of the Masters. I have had to make some major decisions in the past few days as … Continue reading
Over my last few visits to the river I have observed some spectacular rainbows, most occurring just before sunset. “The sky is the “source of light” – in nature – and governs everything.” John Constable From my research into the Romantic Movement I … Continue reading
Although I am fairly pleased with the colour intensity I am achieving in my canvas paintings I am still striving to heighten the impact. I have begun exploring fluorescent paints in some smaller paintings to see what effect they have when … Continue reading
I have now finished the first week in the studio booked for two weeks over Easter. The painting has been very challenging both physically with scale and also aesthetic decision-making. The space is wonderful, it is so liberating to have … Continue reading
A few weeks ago I received some feedback which focused on the work I produced from June to November 2012. I got a lot out of producing work on location and immersing myself in the landscape but after the hand … Continue reading
Today I had the luxury of a full day working in the textile print/dye lab workshop. It was brilliant to have such a lot of space to spread out. I could surround myself with the recent works on paper, digital … Continue reading
I am now concentrating on my practical work. I aim to intensify the production of work, focussing on processes, becoming immersed in spontaneity and expression. It is not the outcomes that are important but exploration of materials. This is the first … Continue reading
I have begun work on large-scale pieces, applying dye onto unprimed canvas approx 3 x 5 m. I imagined the canvases to be fairly straight forward as they would not involve the time-consuming processes and unpredictability of the silk I am … Continue reading
This is a time for analysing what I have produced so far and to explore possible way to develop. I have been concentrating on trying to produce larger scale work and discarding any literal interpretation of the landscape. This has … Continue reading
Produced this today concentrating more on the medium and process than the outcome and trying to take more risks. It appears to have energy and movement.
Last night I attempted my first painting onto unprimed canvas. I began by mixing my colours by adding water to acrylic paints so they were more like the consistency of the dyes have been using. I worked on the floor … Continue reading
I looked back at some of my earlier work this week. When I saw the pieces on silk that I produced last Easter I was reminded of the wonderful subtlety of the bleeding of the dyes into the fabric and … Continue reading
Here is a wonderful short film of Peter Hicks talking about his work and showing his fascinating painting technique. I am particularly interested in hearing him comment on loosing control, what a terrifying experience this is but how allowing this … Continue reading
I love the expressive process of open screen printing and I have been asked to run a day workshop in this technique at Studio 11 Gallery in Hull. I want to produce some new pieces for the ‘Work in Progress’ … Continue reading
At long last I have the time and space to get totally immersed in my practical work. I spent time at college today setting up my workspace and staring on some silk pieces. This photo gives an idea of the … Continue reading
Processes and stages involved in working on a piece. White silk pleated and folded in half. Elastic band around the top, near the fold to act as resist. One end dipped into a purple dye, the rest into a dark … Continue reading
Drawn on android phone using the free app Fresco Lite.
Sample using bleeding and folding on georgette silk/polyester fabric. The folded lines enhance the diaganal composition.
Using dyes as watercolours for large scale work.
Click on the image to link to an excellent article by Judy Dominic in The Turkey Red Journal describing the process.
http://www.handmadeology.com/fabric-painting-tutorial-sun-printing/ Informative website with clear instructions.
Thank you to Liselott Johnsson for giving permission to post her very interesting essay comparing the use of folds by two contrasting artists of the Supports/Surfaces group based in France in the 1970s. Please click on the image for a … Continue reading
Small watercolours playing with depth and intensity of colour.
Viewing the Humber from Paull.
Echos of the Turin shroud with x-ray like qualities. I am inspired by the glow and luminoscity. I have experimented with folding, interested in the fact that results can be rigid, producing grid like structures or random and organic.
I wish to explore this process in my work. Shibori comes from the verb root “shiboru” – to wring squeeze or press, and would be used to describe wringing out the washing. The emphasis is upon the action performed on the … Continue reading
Dyed silk with discharge.
Bleeding dye into found objects Weights applied on top and left to dry Working on paper already covered in accidental marks and splashes.