Tag Archives: expressive

Making Progress

I am continuing to work on my silk pieces. I work on two at a time so that I am not idle during the drying time. I have noticed that I have two distinctly different ways of working. The first … Continue reading

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Exhibition: Planning and Making

The area allocated for the MA cohort to exhibit is the entrance foyer of Hull School of Art and Design and there will be eight graduates showing in this space. As it is a working environment it is rather different to … Continue reading

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Final Developments

There has been a meeting with the MA group to discuss the final exhibition. Now the space (the foyer of the Art School) has been organised and areas agreed. I have a good space I am happy with, it has … Continue reading

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Latest Developments

As the end of the academic year workload eases I eventually have a bit more time to immerse myself in the final section of the Masters. I have had to make some major decisions in the past few days as … Continue reading

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Fluorescence

Although I am fairly pleased with the colour intensity I am achieving in my canvas paintings I am still striving to heighten the impact. I have begun exploring fluorescent paints in some smaller paintings to see what effect they have when … Continue reading

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More studio work

As I embarked on the next few days intensive painting I was consumed with doubt, lack of vision and worry that I won’t be happy with what I produce and my time will have been wasted. However I was determined … Continue reading

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In the Studio

I have now finished the first week in the studio booked for two weeks over Easter. The painting has been very challenging both physically with scale and also aesthetic decision-making. The space is wonderful, it is so liberating to have … Continue reading

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Working in the studio

Today I had the luxury of a full day working in the textile print/dye lab workshop. It was brilliant to have such a lot of space to spread out. I could surround myself with the recent works on paper, digital … Continue reading

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Exploring Media on Paper

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New Year = New Work

I am now concentrating on my practical work. I aim to intensify the production of work, focussing on processes, becoming immersed in spontaneity and expression. It is not the outcomes that are important but exploration of materials. This is the first … Continue reading

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Challenges of working on Large Scale Canvases

I have begun work on large-scale pieces, applying dye onto unprimed canvas approx 3 x 5 m. I imagined the canvases to be fairly straight forward as they would not involve the time-consuming processes and unpredictability of the silk I am … Continue reading

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Comparison of materials

This is a time for analysing what I have produced so far and to explore possible way to develop. I have been concentrating on trying to produce larger scale work and discarding any literal interpretation of the landscape. This has … Continue reading

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Considering Size

This week I produced two pieces of work playing with extremes of scale.

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Losing the Horizon

I delivered my paper at the MA symposium this week. I have been dreading the thought of publicly talking bout my work but somehow got through it. The symposium was brilliant in two ways. Firstly it was wonderful to hear … Continue reading

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Neon Flash

Produced this today concentrating more on the medium and process than the outcome and trying to take more risks. It appears to have energy and movement.

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Digital Drawing: Neon, Coral and Blue

Digital drawings on location at sunset. Trying to capture the intense neon flashes of the sunlight. From the ferry car park        

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Monotype Prints

Produced by applying oil based ink onto an aluminium plate then passing it through a press to transfer onto damp paper. I produced a series of mono-types last week, I feel that I want to experiment more with different media … Continue reading

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First canvas: Stain painting

Last night I attempted my first painting onto unprimed canvas. I began by mixing my colours by adding water to acrylic paints so they were more like the consistency of the dyes have been using. I worked on the floor … Continue reading

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Inspired Landscapes: Peter M. Hicks

Here is a wonderful short film of Peter Hicks talking about his work and showing his fascinating painting technique. I am particularly interested in hearing him comment on loosing control, what a terrifying experience this is but how allowing this … Continue reading

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Lilian Colbourn

I have been concentrating on enjoying my practical work over the summer, immersed in making many sketches on location. My problem is that I have been avoiding developing these sketches in the studio.  I feel rather lost at this point … Continue reading

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Painting on the pier

  I was a bit worried about doing this in a popular spot as I usually work in more isolated places. As it happened I wasn’t bothered by a soul. The first day was a bit bland, very grey with … Continue reading

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Skeffling Clays Watercolour

One of the paintings I produced on Monday trying to capture the atmospheric orange glow hovering just over Spurn Point horizon.

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I have been in the print studio today and produce a couple more open screen prints based on sketches completed on location.

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Open Screen: Rain

I love the expressive process of open screen printing and I have been asked to run a day workshop in this technique at Studio 11 Gallery in Hull. I want to produce some new pieces for the ‘Work in Progress’ … Continue reading

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Todays Results

I have spent a large part of the day producing new work and also reworking some pieces I produced last week to strengthen the compositions. This piece is on silk and over a metre long. I used the seaweed based manutex … Continue reading

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Time to focus on practice

At long last I have the time and space to get totally immersed in my practical work. I spent time at college today setting up my workspace and staring on some silk pieces. This photo gives an idea of the … Continue reading

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Joan Mitchell

Another artist I came across during my visit to The Tate Modern was Joan Mitchell. I had never heard of her before. This is not the painting in the Tate collection but one was particularly drawn to while researching her. … Continue reading

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Ross Bleckner

I greatly admire the work of the artist Ross Bleckner. Although his theme of mortality is different to my own work,  I find a connection through the illusion of light he achieves. The illumination that shines out from his paintings promotes … Continue reading

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Paris

I have just returned from a visit to Paris. The first day was spent at Premier Vision, a textiles trade fair. This was interesting for professional updating as a textiles lecturer, but did not offer much stimulation for my MA practice. … Continue reading

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Raining: Night Lights

Painting with dyes on paper

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Len Tabner

Len Tabner is of interest because he lives and works in the east coast of Yorkshire and is concerned with capturing the atmosphere and weather conditions at different times of day and night. Click on the image to find out … Continue reading

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Painting with dyes

Using dyes as watercolours for large scale work.

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Studio

 

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Janette Kerr

http://www.janettekerr.co.uk/ I love the work of this artist, Janette Kerr, found whilst searching meteorological drawings. She is interested in being an active participant in the landscape, particularly during wild weather and even at night. This is very inspiring and relates … Continue reading

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Turner and Colour

Click on the image to go to an article from The Tate website. It mentions Turner’s interest in Geothe’s colour theories.             “Turner relished the Sublime effects of darkness. Its mysterious and elusive charm could … Continue reading

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Rain Drawing

Viewing the Humber from Paull.

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Suzan Woodruff

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William Tillyer

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John Virtue: London

<a href=”” title=”John Virtue”> Documentary showing John Virtue working on large scale monochrome paintings and drawing on location. It is of great interest to see how he tackles the enormous scale physicaly and hear how he approaches and interprets the … Continue reading

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Monoprint

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Storm

Dyed silk with discharge.

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Work in progress

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Gestural marks and intuitive gestures

A morning in the studio experimenting with pigment dyes. I worked on heavy gloss paper which absorbed the dyes beautifully (Gravue Empire Gloss 350gsm, provided by G.F. Smith, Hull) 640x900mm.I worked on several pieces at the same time to allow drying … Continue reading

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