Tag Archives: Paint

Advise

Today a colleague and fine artist Ian came to look at my work. I really respect his judgment and felt relieved and reassured to have some constructive feedback from him. The most interesting aspect of my work for him were … Continue reading

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Latest Developments

As the end of the academic year workload eases I eventually have a bit more time to immerse myself in the final section of the Masters. I have had to make some major decisions in the past few days as … Continue reading

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Jules Olitski

Discovering the work of Jules Olitski has been truly inspirational and interesting to me for many reasons. The work is about colour and light. It has a haunting, ethereal luminosity achieved through the application of paint with a spray gun. … Continue reading

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Aesthetic Descisions

Thinking about the act of painting, why painters paint and the relationship between the reality of the subject matter and how it is expressed through the aesthetic descisions and questions that have to be made over and over when creating … Continue reading

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Fluorescence

Although I am fairly pleased with the colour intensity I am achieving in my canvas paintings I am still striving to heighten the impact. I have begun exploring fluorescent paints in some smaller paintings to see what effect they have when … Continue reading

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Staff Exhibition – Silks

I had to choose some work to submit for the staff exhibition at Hull School of Art and Design. I was unsure which element of the work I have been producing I wanted to show. I eventually decided on a … Continue reading

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More studio work

As I embarked on the next few days intensive painting I was consumed with doubt, lack of vision and worry that I won’t be happy with what I produce and my time will have been wasted. However I was determined … Continue reading

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In the Studio

I have now finished the first week in the studio booked for two weeks over Easter. The painting has been very challenging both physically with scale and also aesthetic decision-making. The space is wonderful, it is so liberating to have … Continue reading

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Feedback – Exploratory Practice

A few weeks ago I received some feedback which focused on the work I produced from June to November 2012. I got a lot out of producing work on location and immersing myself in the landscape but after the hand … Continue reading

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Working in the studio

Today I had the luxury of a full day working in the textile print/dye lab workshop. It was brilliant to have such a lot of space to spread out. I could surround myself with the recent works on paper, digital … Continue reading

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Exploring Media on Paper

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New Year = New Work

I am now concentrating on my practical work. I aim to intensify the production of work, focussing on processes, becoming immersed in spontaneity and expression. It is not the outcomes that are important but exploration of materials. This is the first … Continue reading

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Challenges of working on Large Scale Canvases

I have begun work on large-scale pieces, applying dye onto unprimed canvas approx 3 x 5 m. I imagined the canvases to be fairly straight forward as they would not involve the time-consuming processes and unpredictability of the silk I am … Continue reading

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Comparison of materials

This is a time for analysing what I have produced so far and to explore possible way to develop. I have been concentrating on trying to produce larger scale work and discarding any literal interpretation of the landscape. This has … Continue reading

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Considering Size

This week I produced two pieces of work playing with extremes of scale.

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One year on

  As the nights are drawing in I am reminded that it has been a year now since I began working on this project. My ideas and methods have changed considerably, narrowing down my focus and absorbing the landscape to … Continue reading

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Stain painting technique

When thinking about my next step and how to work on my larger studio pieces I am considering the technique of stain painting. While researching I came across this useful film that clearly shows how to dilute the paint to … Continue reading

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Let the media take control

“There is no formula, there are no rules. Let the picture lead you where you must go” “Tha Landscapes were in my arms as I did it. I didn’t realise all that I was doing. I was trying to get … Continue reading

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Paris

I have just returned from a visit to Paris. The first day was spent at Premier Vision, a textiles trade fair. This was interesting for professional updating as a textiles lecturer, but did not offer much stimulation for my MA practice. … Continue reading

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Sky above Clouds IV – Georgia O’Keeffe

Painting by Georgia O’Keeffe Sky Above Clouds IV, 1965 Oil on canvas – 243.8 x 731.5 cm (96 x 288 in.) This is one of a series of paintings by O’Keeffe when in her 70’s she took after her first ever … Continue reading

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Studio Development

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Painting with dyes

Using dyes as watercolours for large scale work.

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Studio

 

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Janette Kerr

http://www.janettekerr.co.uk/ I love the work of this artist, Janette Kerr, found whilst searching meteorological drawings. She is interested in being an active participant in the landscape, particularly during wild weather and even at night. This is very inspiring and relates … Continue reading

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Heliographic Fabric Painting

http://www.handmadeology.com/fabric-painting-tutorial-sun-printing/ Informative website with clear instructions.

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Comparing folds

Thank you to Liselott Johnsson for giving permission to post her very interesting essay comparing the use of folds by two contrasting artists of the Supports/Surfaces group based in France in the 1970s. Please click on the image for a … Continue reading

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Watercolours

Small watercolours playing with depth and intensity of colour.

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Folds: Andre-Pierre Arnal

Echos of the Turin shroud with x-ray like qualities. I am inspired by the glow and luminoscity. I have experimented with folding, interested in the fact that results can be rigid, producing grid like structures or random and organic.  

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Earlier work: Canary Wharf

Some paintings and prints produced after a visit to Canary Wharf London.

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John Virtue: London

<a href=”” title=”John Virtue”> Documentary showing John Virtue working on large scale monochrome paintings and drawing on location. It is of great interest to see how he tackles the enormous scale physicaly and hear how he approaches and interprets the … Continue reading

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Work in progress

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“I want to express my feelings rather than illustrate them” Jackson Pollock 1951

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Abstract Expressionist Textiles

Here is a link to an excellent blog that concerning artists who approach expressive abstraction useing textile media. http://raggedclothcafe.com/2007/11/08/richard-diebenkorn-a-master-of-spatial-relationships/

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