Tag Archives: Techniques and Styles

Making Progress

I am continuing to work on my silk pieces. I work on two at a time so that I am not idle during the drying time. I have noticed that I have two distinctly different ways of working. The first … Continue reading

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Exhibition: Planning and Making

The area allocated for the MA cohort to exhibit is the entrance foyer of Hull School of Art and Design and there will be eight graduates showing in this space. As it is a working environment it is rather different to … Continue reading

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Final Developments

There has been a meeting with the MA group to discuss the final exhibition. Now the space (the foyer of the Art School) has been organised and areas agreed. I have a good space I am happy with, it has … Continue reading

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Latest Developments

As the end of the academic year workload eases I eventually have a bit more time to immerse myself in the final section of the Masters. I have had to make some major decisions in the past few days as … Continue reading

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Fluorescence

Although I am fairly pleased with the colour intensity I am achieving in my canvas paintings I am still striving to heighten the impact. I have begun exploring fluorescent paints in some smaller paintings to see what effect they have when … Continue reading

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Staff Exhibition – Silks

I had to choose some work to submit for the staff exhibition at Hull School of Art and Design. I was unsure which element of the work I have been producing I wanted to show. I eventually decided on a … Continue reading

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More studio work

As I embarked on the next few days intensive painting I was consumed with doubt, lack of vision and worry that I won’t be happy with what I produce and my time will have been wasted. However I was determined … Continue reading

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Feedback – Exploratory Practice

A few weeks ago I received some feedback which focused on the work I produced from June to November 2012. I got a lot out of producing work on location and immersing myself in the landscape but after the hand … Continue reading

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Working in the studio

Today I had the luxury of a full day working in the textile print/dye lab workshop. It was brilliant to have such a lot of space to spread out. I could surround myself with the recent works on paper, digital … Continue reading

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Exploring Media on Paper

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New Year = New Work

I am now concentrating on my practical work. I aim to intensify the production of work, focussing on processes, becoming immersed in spontaneity and expression. It is not the outcomes that are important but exploration of materials. This is the first … Continue reading

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Challenges of working on Large Scale Canvases

I have begun work on large-scale pieces, applying dye onto unprimed canvas approx 3 x 5 m. I imagined the canvases to be fairly straight forward as they would not involve the time-consuming processes and unpredictability of the silk I am … Continue reading

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Comparison of materials

This is a time for analysing what I have produced so far and to explore possible way to develop. I have been concentrating on trying to produce larger scale work and discarding any literal interpretation of the landscape. This has … Continue reading

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Considering Size

This week I produced two pieces of work playing with extremes of scale.

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First canvas: Stain painting

Last night I attempted my first painting onto unprimed canvas. I began by mixing my colours by adding water to acrylic paints so they were more like the consistency of the dyes have been using. I worked on the floor … Continue reading

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Return to Fabric

I looked back at some of my earlier work this week. When I saw the pieces on silk that I produced last Easter I was reminded of the wonderful subtlety of the bleeding of the dyes into the fabric and … Continue reading

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Stain painting technique

When thinking about my next step and how to work on my larger studio pieces I am considering the technique of stain painting. While researching I came across this useful film that clearly shows how to dilute the paint to … Continue reading

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Evaluation: Research and Development Module

M.A. Visual Arts: Research and Development Module This module has taken me on a journey, helping me to develop my practice and understand more deeply theory and how my work relates to it. I initially was concerned with both the … Continue reading

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Spurn point Artist in Residence

I was delight to recieve a message from artist Alice Fox. She has just started a six month artist in residence on Spurn point. We seem to have much in common, textile processes and a love for the environment. I … Continue reading

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The Curved Space

My work has recently developed this recurring curve in the composition.   This intrigued me and has prompted me to research further particularly when I came across this painting by Casper David Friedrich. What I have discovered is that this … Continue reading

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Joan Mitchell

Another artist I came across during my visit to The Tate Modern was Joan Mitchell. I had never heard of her before. This is not the painting in the Tate collection but one was particularly drawn to while researching her. … Continue reading

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Working through processes

Processes and stages involved in working on a piece. White silk pleated and folded in half. Elastic band around the top, near the fold to act as resist. One end dipped into a purple dye, the rest into a dark … Continue reading

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Stone Creek: Sunrise

Wishing to catch the sunrise I drove to Stone Creek, which is the point on the north bank of the Humber nearest to Immingham on the south. It is very remote and I treasure the isolation.

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Studio

 

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Mud Dyeing

Click on the image to link to an excellent article by Judy Dominic in The Turkey Red Journal describing the process.

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Heliographic Fabric Painting

http://www.handmadeology.com/fabric-painting-tutorial-sun-printing/ Informative website with clear instructions.

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Turner and Colour

Click on the image to go to an article from The Tate website. It mentions Turner’s interest in Geothe’s colour theories.             “Turner relished the Sublime effects of darkness. Its mysterious and elusive charm could … Continue reading

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Comparing folds

Thank you to Liselott Johnsson for giving permission to post her very interesting essay comparing the use of folds by two contrasting artists of the Supports/Surfaces group based in France in the 1970s. Please click on the image for a … Continue reading

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Rain Drawing

Viewing the Humber from Paull.

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John Virtue: London

<a href=”” title=”John Virtue”> Documentary showing John Virtue working on large scale monochrome paintings and drawing on location. It is of great interest to see how he tackles the enormous scale physicaly and hear how he approaches and interprets the … Continue reading

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Monoprint

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Work in progress

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Layers

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